Showing posts with label Byzantium. Show all posts
Showing posts with label Byzantium. Show all posts

Tuesday, 29 December 2015

Thematic Byzantine Army III/29

In the late seventh century, Byzantium lost large parts of its territory to the Sarascenes notably the wealthy provinces of Palestine, Egypt and Syria, thus reducing imperial income and defences dramatically. As a result, the Empire reorganised the governement of the threatened Anatolian provinces and the army by establishing a new division of territory into "Themes", each with it's own army commanded by a Strategos who presided the civil governement of the theme as well. This arrangement proved efficient enough to ensure the survival and eventual recovery of the Empire for centuries to come. The theme system desintegrated after the Seldjuks defeated the Byzantines in 1071 at Manzikert and overran most of Anatolia.

The thematic armies of Byzantium are represented in DBA as a cavalry-heavy force (mostly Cv, some LH) and a small core of heavy Infantry (Pikes & Bows). The Figures are from Alain Touller and Essex.
Thematic Byzantine DBA Army, all options.

The Startegos (3Cv)
The Strategos with a cavalry unit (3CvGen + 3Cv, Alain Touller)
Cavalry (4x3Cv, Alain Touller)
Two units of double based 6Cv (Alain Touller)
Three squadrons of Light Horse (Essex Huns)
The Infantry (1x4Bw and 1x2Ps, Alain Touller and Essex)
The Infantry (2x4Pk, 1x2Ps, 1x4Bw)

Tuesday, 22 December 2015

The Theodosian Walls of Constantinople

The baggage train is marching out through the gates of Constantinople to join the column of the Byzantine Army. Three mules carry provisions, tools and kit lead by boys while a wine merchant walks along looking for a good deal to sell his cheap stock to unsuspecting customers and thirsty soldiers.
 


It is the camp for my upcoming DBA Army of Thematic Byzantium III/29

This Byzantine Gatehouse is inspired by sections of the Theodosian Walls of Constantinople, today's Istanbul.





It is a  truly original piece, a stewalin cast from a silicon mold I made by myself. Copies are now for sale, you might contact me by e-mail Menic666@yahoo.com or go to the MENIX MINIATURES SHOP. Please note it comes unpainted and unassembled just like on the image below.

Constantinople's patron is Maria. So, I thought I'd put  her marble effigy over the gate. The statue is made of trinkets you might find in souvenir shops at places of pilgrimage like Rome, Santiago or Einsiedeln.

Stay tuned for the next post when the baggage train catches up with the Byzantine Army! More pictures to come....

Monday, 21 December 2015

Friday, 18 December 2015

Byzantine Baggage Train (work in progress)


Three mules, two kids and a pilgrim form the baggage train for my Thematic Byzantine Army coming up soon on this blog.


Thursday, 19 April 2007

Double-headed Eagle. Seldjuk 12th/13th c.

A relief on the west-facade of the Grand Mosque in Divrigi, a former Byzantine city in central Anatolia. Conquered by the turkes in 1071. This picture inspired me to paint the banner below.
I found the following article on the origin of double headed eagles as a heraldic charge . .http://en.wikipedia.org/wiki/Eagle_(heraldry): "Twin Headed Eagle and the Turks The Seljuk Turks emigrating from Central Asia occupied Baghdad in 1055 and Tougrul captured Mosul, and upon returning to Baghdad in 1058 was given the title of the '’King of the East and West'’. The Seljuks were even more anxious to have their rule legitimized: seen as aliens they were unpopular with the townsfolk of Persia and Iraq, and Tougrul's investiture by the Caliph in 1058, in a magnificent ceremony during which two crowns were held over his head as symbols of his regal authority over East and West, confirmed that the he now was the Commander of the Faithful. At the time the double-headed eagle became his and the Seljuk state’s coat of arms and flag, one head symbolizing the east and the other one symbolizing the west. As the Seljuk Empire’s insignia, the twin-headed eagle appears in Turkish coins from 11th century and onwards as well as a number of architectural remains scattered in central and east Anatolia. These architechural remains also depict palm trees under bicephalous eagle as the tree of life, symbolizing peace and prosperity.[...]"


Concerning the twin-headed eagle as the emblem of the holy roman empire Wikipedia says:
"From the reign of Frederick Barbarossa in 1155 the eagle became a symbol of the Holy Roman Empire in its one-headed state. The eagle was clearly derived from the Roman eagle and continues to be important in the heraldry of those areas once within the Holy Roman Empire. Within Germany the placement of one’s arms in front of an eagle was indicative of princely rank under the Holy Roman Empire. The first mention of a double-headed eagle in the West dates from 1250 in a roll of arms of Matthew Paris for Emperor Frederick II."

And last but not least a comment on the byzantine bicephalous eagle http://en.wikipedia.org/wiki/Eagle_(heraldry):
The double-headed Seljuk Eagle became the symbol of the Emperor Michael VIII Palaiologos. Palaiologos recaptured Constantinople from the Crusaders in 1261 and adopted the double-headed eagle as his symbol of the dynasty's interests in both Asia and Europe. It represented looking towards the East (Asia Minor, traditional power center of the Byzantine-government in exile after the IVth Crusade) and the West (newly reconquered land in Europe) centered on Constantinople. The Byzantine double-headed eagle has been seen in late 13th century, certainly pre-dating the development of the same in western heraldry. In Russia it was Ivan III of Russia who first assumed the two-headed eagle, when, in 1472, he married Sophia, daughter of Thomas Palæologus, and niece of Constantine XI, the last Emperor of Byzantium. The two heads symbolised the Eastern or Byzantine Empire and the Western or Roman Empire."

Friday, 13 April 2007

Early Crusader Knights

Three more early Crusaders. Black Tree Design. Below is shown a bit of the inspiration for one of the above shields: an ivory bookcover from the Meuse-Region, Europe, 2nd half 8th century showing Christus Victor. As it looks very timeless byzantine it's just right for my Antiochian Crusader army.
Somewhere I heard the bellicose franks prefered warrior saints like St. Martin or St. George. In a similar way medieval frankish crusader knights fought as "milites christi" and worshiped Christ as their invincible hercules. And somewhere on my harddisk there is a picture of a 13th century illumination showing Christ on a charger leading a bunch of heavly armoured knights in his raised right hand an open book and between his lips the blade of a long dagger, a symbolic gesture emphasizing the superiority of the spoken word over ... hm...sometimes I'm not sure over what...over violence? Hm...but anyway, makes for a good banner-emblem for a lead army.
Christ bares his cross over his right shoulder like an axe.



This blog is dedicated to ancient and medieval miniature wargaming. I'd like to share pictures of my painted armies and models, self made terrain-pieces and sketches of projects still residing in my head or on a piece of paper.
My main interest at the moment is creating armies and accessories, researching for historical or made-up scenarios and campaigns for the fast-play wargaming rules from "De bellis Antiquitatis" (DBA) with 25mm and 15mm figurines.
I use the blog-format rather unconventionaly. It is more like a scrapbook. And I update the older posts so keep checking. I recommend utilizing the labels to the left. So if your just interested in miniatures click the "Miniatures"-label and you will be presented with posts concerning painting, figurines etc. And don't forget to click on "older posts" at the bottom of the page for more. And many thanks for commenting!
Photographs showing painted toy soldiers, terrain pieces, scratch-built things and drawings © Menic Rüttimann 2.Nov.2006. Please notify me if you wish to use these.

Let your fancy flow...
Menic